Mme. Alix Grès launched her design house, Grès, in Paris in 1942, and maintained control of her perfume line until the early 1980s. Parfums Grès has had a complicated ownership history since then. In 2002, it was sold by the Escada Group to Silvio Denz, and as far as I can figure out, his company still owns it. Several years after marrying Russian painter Serge Czerefkov (1937) the famous creator changed her name to Madame Grès in 1942, as it was an anagram of her husband's name and also his alias. Soon after they got married, her husband left France for French Polynesia and "forgot to return." The Eau de Toilette is sharper and more forceful than the parfum in its treatment of the leather notes. In the parfum, the vetiver and iris pairing truly shines, lending an alluring cool touch that provides a stunning counterpoint to the tobacco redolent darkness. A delicate floral touch is sustained against the foil of balsamic and earthy notes, creating an airy sensation that dispels the somber duskiness. The balance of light and shadows is an accomplishment makes Cabochard a particularly unique leather chypre. What did others see in myself that I could not? Deep in my DNA, even in 1972 when I first discovered Cabochard, there existed a spirit which wouldn’t be subjugated, sublimated, vanquished: a warrior poised on the brink of never-ending skirmish. Gentle until no recourse remained but the dagger, willing to go to war for a noble cause, follow a leader worthy of the task. I don’t think I actually glimpsed that person until I had resumé photos taken in preparation for an audition with opera impresario Boris Goldovsky – and they frightened me. I avoided the camera. What I’d mistaken for ‘resting bitch face’ was pure resolve in the face of adversity and distrust of the lens’ scrutiny. It is hard to imagine that the formula has not been tinkered with since 1959, and in fact, Luca Turin has less than kind things to say about the current version. This is yet another fragrance that makes me wish I had started my smelling career 20 years ago.

The fact that I feel drawn to perfumes of the 50s is unrelated to having been born into that era. Some of these fragrances feel like aromatic wish fulfillment and/or projection: despite the tyranny of long-line brassières and girdles (or possibly in light of their existence) there has always been a subtext of suppressed eroticism, the controlled sensuality of discipline akin to a warrior preparing for anticipated battle. Clearly defined 1950s gender roles makes this subversive quality all the more fascinating; today Cabochard de Gres reads as perfect for anyone who loves the impossibly dry elegance of a leathery tobacco-laden no-nonsense chypre. Notes: bergamot, mandarin, galbanum, ylang ylang, jasmine, Bulgarian rose, clove, oakmoss, tobacco, musk, iris, sandalwood, vetiver, leather, castoreum, patchouli, labdanumRecently, I’ve tried an EDT sample of Molinard’s Habinita (recommended for the same reasons)…..yessss…..like it for it’s warm but spicy smell on my skin and it seems to have some lasting power…..bit heavier than my Cabochard….and it is winter…..right now, I think it a lovely warm, fall/winter scent and glad I found it. Madame Grès died in 1993 in her house in the South of France, but her death was not announced until a year later, on December 14, 1994 in Le Monde. Cabochard starts with citrus and deep green notes. It is a dark fragrance right from the start, and the leather is apparent almost immediately. The floral notes are muted: when smelled from a distance they are barely noticeable, from up close, the jasmine is more obvious but still seems to weave in and out. It dries down to an animalic leathery chypre with woods, moss, and a touch of smoke. It stays very dry for the first hour, then starts to take on a hint of sweetness from the patchouli. Not only was Cabochard very successful at the time of its release in 1959, its leather chypre composition inspired many subsequent fragrances. Therefore, its inclusion among the legends of French perfumery by Michael Edwards is only to be expected. …

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor. Cabochard is often described as a softer take on the animalic darkness of Bandit. Indeed, if Bandit were to be polished to remove its rough edges, to soften its aggressive nature, and to mute its smoky leather, the result would be Cabochard, a leather chypre that is as assertive as it is graceful. A mélange of rich green notes, which is reminiscent of sliced green peppers and succulent leaves, creates an elegant transparent layer, under which an accord dominated by smoky leather is evident from the start. The leather reminiscent of a similar note in Chanel Cuir de Russie is subtle at first, hinting gently as to what might be present underneath the verdant radiance. Its strength grows over time, and as the hesperidic effervescence fades, calm darkness overtakes the composition. Madame Grès designed her gowns in the fashion of a sculptor—directly on the bodies of her models. Very soon she became famous and her name became a synonym for elegance—"The Star of Elegance." She created garments for royal families, aristocracy and the celebrities of her time: Marlene Dietrich, Greta Garbo, Vivien Leigh and others. One of her first muses was Isadora Duncan. Cabochard was a fragrance created for Madame Grès, a renowned couturier, who after opening her fashion house in 1942 in Paris became famous for her fluid designs that draped the body like folds on the Greek statues. Bernard Chant was the perfumer responsible for Cabochard, and even though Madame Grès did not personally like it, she felt that Chant created a gem with Cabochard. Madame Alix Grès (née Germaine Emilie Krebs) was born in 1903 in Paris, France. She desired to be a sculptor, but without a fruitful career, she soon switched to women's hat-making. Her first fashion house, "Alex Couture," opened in 1934 and was her shift towards couture.

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Cabochard, probably the house's best known perfume, was created by nose Bernard Chant, and launched in 1959. The notes are bergamot, mandarin, aldehydes, galbanum, ylang ylang, jasmine, rose, clove buds, oakmoss, tobacco, musk, iris, sandalwood, vetiver, leather, castoreum, patchouli and labdanum. During World War II and the German occupation of France, Madame Grès, patriotic to the core, was creating clothes around the three colors of France—blue, white and red. The first perfume of the Grès house, Cabochard, was created in 1958, after Madame Grès returned from a trip to India. Cabochard was inspired by a new generation of perfumes, including Tabac Blond (1919), Cuir de Russie (1924), Scandal (1933), and Bandit (1944). Jaye: Have worn Cabochard (mostly vintage EDT or 50th Anniversary EDT) every day for years, ever since I found it oh-so-cheap in TJMaxx…. many years ago…to this day, stopped in grocery store aisles and asked what is that marvelous fragrance you’re wearing…..I am no perfumanista but I do know ” my nose”…..and what smells good “on me”, and apparently lovers, friends and total strangers agree…..OTOH….tried more than once, a sample of Chanel Cuir de Russie, so recommended to me by many because of my love of Cabochard…..OMG….it was a heavy, powdery floral on me that reminded me of being 8yo and my elderly, matronly aunts visiting and enveloping me in their heavy fur coats as they gave me a suffocating “hug”…..save me!…. In 1982 Madame Grès had to sell her perfume business for the sake of her Haute Couture house. The company Parfums Grès changed hands several times until it was finally bought by Silvio Denz in 2001. Today Parfums Grès is based in Switzerland. The first perfume launched by the new owner was Cabaret (2003), after which comes Cabaret Homme (2004) and Caline (2005). I am not especially fond of leather in fragrance, but Cabochard is very soft and smooth once it calms. As Guy Robert explains:

I am trying the Eau de Toilette, and the lasting power is excellent. By today's standards, this is very much a unisex fragrance. It is probably better suited to cold weather, though, and I am going to revisit this in the fall and see if it is something I would wear regularly.